Tuesday, November 25, 2008
Thursday, November 20, 2008
'"Don't try to believe it, Arthur; there is joy and glory after, if you will but try to reach it!"
'"What, for me?" he said, with something like a laugh. "Are we not to be judged according to the deeds done in the body? Where's the use of a probationary existence, if a man may spend it as he pleases, just contrary to God's decrees, and then go to heaven with the best - if the vilest sinner may win the reward of the holiest saint, by merely saying, "I repent!"'
'"But if you sincerely repent - "
'"I can't repent; I only fear."
'"You only regret the past for its consequences to yourself?"
'"Just so - except that I'm sorry to have wronged you, Nell, because you're so good to me."
'"Think of the goodness of God, and you cannot but be grieved to have offended Him."
'"What is God - I cannot see Him or hear Him? - God is only an idea."
'"God is Infinite Wisdom, and Power, and Goodness - and LOVE; but if this idea is too vast for your human faculties - if your mind loses itself in its overwhelming infinitude, fix it on Him who condescended to take our nature upon Him, who was raised to heaven even in His glorified human body, in whom the fullness of the Godhead shines."
Thursday, November 13, 2008
Tuesday, November 11, 2008
Aah, those first impressions. In this novel, Austen reveals how unfortunate it is that we sometimes allow the first few seconds to determine our relationships with other people. This is exactly the mistake that both Elizabeth and Darcy make and it almost cost them their happiness.
"...to her he was only the man who made himself agreeable nowhere, and who had not thought her handsome enough to dance with."
"Mr. Darcy had at first scarcely allowed her to be pretty; he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise."
Elizabeth especially has a hard time seeing past her early prejudices when judging people. Her abhorrence of Mr. Darcy stems mainly from his insult upon their first meeting, while her good opinion of Wickham is due almost entirely to his agreeable manners. She soon discovers that her prejudices blinded her both to Mr. Darcy's real goodness as well as Wickham's true colors. It is only once she is at Pemberly, hearing Darcy praised by those who knew him best, that Elizabeth realizes her mistake.
"There was certainly at this moment, in Elizabeth's mind, a more gentle sensation towards the original than she had ever felt in the height of their acquaintance. The commendation bestowed on him by Mrs. Reynolds was of no trifling nature. What praise is more valuable than the praise of an intelligent servant? As a brother, a landlord, a master, she considered how many people's happiness were in his guardianship! -- How much of pleasure or pain it was in his power to bestow! -- How much of good or evil must be done by him! Every idea that had been brought forward by the housekeeper was favourable to his character, and as she stood before the canvas, on which he was represented, and fixed his eyes upon herself, she thought of his regard with a deeper sentiment of gratitude than it had ever raised before; she remembered its warmth, and softened its impropriety of expression."
There is also a great irony being played out throughout the entire novel. As with Persuasion, Austen attacks the idea that rank determines good breeding. The main reason that Darcy gives for breaking up Jane and Bingley is the behavior of the majority of the Bennet family.
"The situation of your mother's family, though objectionable, was nothing in comparison of that total want of propriety so frequently, so almost uniformly, betrayed by herself, by your three younger sisters, and occasionally even by your father."
Funny thing is, Darcy and Bingley's relatives aren't all that classy either. Bingley's sisters are extremely rude and his brother-in-law indolent and dull. Darcy's aunt, Lady Catherine De Bourgh, is self-absorbed, vain and demanding. Just as Mrs. Bennett is constantly saying things that betray her absurdity, so is Lady Catherine.
"There are few people in England, I suppose, who have more true enjoyment of music than myself, or a better natural taste. If I had ever learnt, I should have been a great proficient."
"...and though Mrs. Collins has no instrument, she is very welcome, as I have often told her, to come to Rosings every day, and play on the piano forte in Mrs. Jenkinson's room. She would be in nobody's way, you know, in that part of the house.''
As I said in my introduction, it is truly the characters that, in my opinion, really distinguish Pride and Prejudice from Austens other works. They are so complete, their actions so believable, and their dialogue so revealing, that they can sometimes seem more real than the characters in the other works. It is also a fine example of Austen's writing style at its best, combining the sharp wit of Northanger Abbey with the subtle ironies of Emma. It well deserves its place near the top of many reader's lists (including mine). I can't say enough about it. If you never read any other Austen novel, you must read this one. I'll leave you with a quote from Sir Walter Scott's private journal on his opinion of this novel.
"Also read again and for the third time at least Miss Austen's very finely written novel of Pride and Prejudice. That young lady had a talent for describing the involvement and feelings and characters of ordinary life which is to me the most wonderful I ever met with. The Big Bow-wow strain I can do myself like any now going, but the exquisite touch which renders ordinary commonplace things and characters interesting from the truth of the description and the sentiment is denied to me. What a pity such a gifted creature died so early!"
Pride and Prejudice has been adapted for the screen so many times that it isn't even funny. It has even been adapted into a Bollywood production called Bride and Prejudice. But there are four main adaptations that claim the hearts of many fans.
First, there is the 1940 adaptation starring Greer Garson and Laurence Olivier. I've never seen it, but I do know that the time period was pushed forward to allow for more flamboyant dresses. Not sure how I feel about that.
Then there is the 1980 adaptation starring Elizabeth Garvie and David Rintoul. I haven't seen this one either, but I would imagine it to be like the other Austen adaptations of the period.
Finally, there are the 1995 and 2005 adaptations starring Jennifer Ehle/Colin Firth and Keira Knightly/Matthew Macfadyen respectively. They are both wonderful in their own way. For my review of them, see here.